John
Mark Sherlock’s
profoundly abstract yet fantastically compelling music,
insinuates a utopian desire into the lambent chain of
referrals radiated by his extensive use of electric keyboards
and organs. Avoiding both the expressive rhetoric of his
modernist inheritance and the sardonic frustration of
post-modern fallout, Sherlock's work shimmers with an
intransigence that undermines the simulations of a
disciplined beauty, opening a space for the impossibility of
being no-where. (Priest)